Air-Dried Roses
Air-Dried Roses Air-Dried Roses Air-Dried Roses Air-Dried Roses Air-Dried Roses Air-Dried Roses Air-Dried Roses

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Air-Dried Roses

Artist Yang Fuxu
Creation Date 2015
Material Oil on canvas
Size 50 x 90 cm
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Current total $6,767.00

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  • Free shipping Included worldwide.
  • Secure checkout Encrypted payment.
  • Unique original Only one available.
  • Certificate Authenticity document.
  • 14-day returns After delivery.

Artwork details

Analysis and context

Artwork Notes

Painting analysis

A white vase stands at the center of the vertical canvas, holding a cluster of dried, withered roses that rise into a muted grey-brown atmosphere. The flowers are not fresh blossoms but spent forms, their pale, uneven heads and thin stems carrying the feeling of time after bloom. Yang Fuxu keeps the composition simple: vase, table, flowers, and surrounding air are all held within a restrained tonal field.

The painting depends on quiet material pressure rather than decorative brightness. The white vase is softened by grey and ochre undertones, while the dried roses are built with compact, irregular touches that suggest petals losing their fullness. Around them, the background is rubbed and blended into a subdued surface, allowing the floral composition to feel weathered, slow, and inward rather than polished.

Air-Dried Roses turns a modest subject into a study of endurance and passing time. The withered roses do not read as loss alone; they become a way to look at texture, memory, and the beauty of forms that remain after freshness has faded. Oil on canvas, 50 × 90 cm.

Theme

Style and context

Air-Dried Roses belongs to a modern floral-composition tradition that treats ordinary objects as vessels of time, touch, and memory. Yang Fuxu does not present the flowers as decorative abundance. By choosing dried, withered roses in a white vase, he places the work closer to reflection than display, allowing muted tone and surface to carry the emotional weight.

Within Yang’s broader practice, the painting reflects his interest in restraint, rural memory, and slow attention. His oil surfaces often hold a sense of earth and duration; here, that sensibility is condensed into a quiet interior floral composition. The subject is modest, but the handling gives it a concentrated presence shaped by texture, silence, and the traces of time.

Artist Profile

Artist introduction

Yang Fuxu (b. 1980) trained at the Guangxi Academy of Arts before completing advanced studies at the Central Academy of Fine Arts in Beijing and the China Federation of Literary and Art Circles' programme for emerging cultural leaders. A member of the Chinese Artists Association, he is recognised among China's new literary and art community — a designation for artists outside the traditional state academy system who have achieved national prominence.

His exhibition record spans more than a decade: selections for the Fengyu Southwest exhibition (2013), a Bronze Award in the New Wheat Field programme (2019), and inclusion in the national Era, Portrait exhibition (2023). His paintings are held in private collections across China.

His practice is organised around several thematic series — the Homeland and Duijiagou paintings explore rural earth through intimate close-up perspectives, the Dancer series anthropomorphises trees as carriers of childhood memory, and the Brilliant Night works carve luminous passages from dense layers of darkness. Across all series, his painting balances rootedness in Chinese soil with contemporary formal experimentation.

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