Master

Spring

Artist Yang Fuxu
Creation Date 2026
Material Oil on canvas
Size 80 x 102 cm
Category original
Make this artwork part of your collection Available

Current total $12,036.00

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Perspectives

A closer look

Artwork Notes

Art appreciation

The tree divides from the lower left and spreads across most of the canvas. Clusters of pale blossom obscure parts of the distance while leaving small openings onto water and hillside. The man and dog are small at the lower right, but their dark silhouettes remain easy to distinguish. They move in the same direction, the man’s stride and the dog’s lower body forming a natural pair beneath the canopy.

Yang builds the blossoms from short touches of white, pink, blue-grey, and young green rather than outlining each flower. Thicker pigment catches the light; cooler colour is rubbed more thinly into shadow. Curving brown-grey and violet branches connect the loose marks, while wider horizontal strokes settle the grass and soften the distance. The crowded foreground and open background give depth to a predominantly light palette.

Trees recur throughout Yang’s Homeland and Dancer series, where trunks and branches provide both landscape structure and rhythmic movement. Here the flowering crown remains the dominant form, while the man and dog supply a simple action beneath it. Yang keeps the tree, field and water recognisable, then loosens individual blossoms into colour and repeated marks. The series records his recurring attention to trees, and here the single trunk holds together the pale sky, wet ground and new spring growth.

Theme

Style and context

Expressive landscape painting can retain place, tree, and season while allowing brushwork and colour to communicate light directly. Spring follows that course. Its tree has a convincing structure, yet close viewing reveals an assembly of dabs, scrapes, and open edges. The small human and animal figures connect the flowering landscape with everyday movement.

Yang’s Homeland and Dancer series repeatedly use trees to hold memory or to suggest bodily postures. In this work, outward-reaching branches and a high-key palette give the canopy an expanding energy. The figures remain small enough not to interrupt it. The arrangement shows why trees remain useful to Yang: one branching structure can register seasonal growth, organise the whole surface and accommodate small figures without turning them into the sole subject.

Artist Profile

About the artist

Yang Fuxu (born 1980) graduated from the Guangxi Academy of Arts and later undertook advanced study at the Central Academy of Fine Arts and through a China Federation of Literary and Art Circles programme for emerging cultural practitioners. He is a member of the China Artists Association. This training supports both his academic command of form and his continued experiments with material and composition.

His practice includes the Homeland, Duilianggou, Dancer and Brilliant Night series. Homeland and Duilianggou use close views of rural ground; Dancer builds rhythms resembling bodily movement through leaning, crossing and extended trunks; Brilliant Night places artificial light within dense dark layers.

His exhibition record includes Fengyu Southwest in 2013, a Bronze Award in the New Wheat Field programme in 2019 and selection for the national Era, Portrait exhibition in 2023. Across these series, recognisable landscape forms increasingly give way to thick paint, broad colour fields and rhythmic structure.

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