Master

Water Chess

Artist Kira Sargon
Creation Date 2017
Material Oil on canvas
Size 42 x 62 cm
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Current total $6,640.00

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  • Free shipping Included worldwide.
  • Secure checkout Encrypted payment.
  • Unique original Only one available.
  • Certificate Authenticity document.
  • 14-day returns After delivery.

Artwork details

Analysis and context

Artwork Notes

Painting analysis

A rose, a cup of water, silver reflections, and a chessboard — all carefully placed, as if a game has paused at the moment before the next move. The board does not read as a match to be replayed. It works more like a suspended field of decisions: squares and pieces suggest rule, strategy, and control, while water and the rose interrupt that order with reflection, softness, and emotional uncertainty.

The painting's magical realism comes from this tension between precision and dream logic. Each object appears with clear edges and classical patience, but their relationship does not belong to everyday tabletop reality. The water refuses the fixed discipline of the chessboard; the rose carries emotional weight beyond decoration. Cool metallic light, transparent liquid, and the dark surrounding space turn the arrangement into a quiet psychological stage.

Its abstract narrative lies in what remains unresolved. The viewer sees no winner, no clear path forward under these conditions. Instead, the image holds a question: what happens when calculation meets desire, when rules meet fluidity, when beauty enters a system built for control? Oil on canvas, 62 x 42 cm.

Theme

Style and context

Symbolic magical realism uses classical painting precision to construct impossible but plausible arrangements. Objects appear with full physical clarity, yet their relationships carry psychological weight beyond any literal scene.

This work exemplifies that approach. The chessboard gives the composition intellectual structure, while water disrupts that structure through movement and reflection. The rose introduces emotional and sensual tension. Meaning comes from the relationships among objects, not from a literal narrative to decode.

Within a broader tradition of symbolic painting, the work demonstrates how realism can serve the impossible. It does not abandon convincing form; it uses convincing form to build a quiet riddle.

Artist Profile

Artist introduction

Kira Morpha-Sargon was born in Yekaterinburg, Russia in 1967. She is a professional oil painter whose work moves between magical realism and symbolism. She is a member of the Russian Professional Artists Union, the Russian Artists Association, and the American Colorado Art Association.

She graduated from the Ural State University of Architecture and Art, then continued her studies at a painting school in Florence, Italy. She later trained in classical painting and restoration techniques at a workshop school affiliated with Santa Maria Cathedral in Venice.

Her subjects include symbolic portraiture, historical narrative, surreal landscapes, and conceptual painting. Her oil technique combines refined execution with rich colour layering, linking Russian realist training with European classical painting traditions. She has held more than thirty solo exhibitions across Russia, Europe, and Asia, and received a silver medal in the Fine Portrait category from the Colorado Art Association.

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