Lotus
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Established

Lotus

Artist Yang Lixin
Creation Date 2006
Material Oil on canvas
Size 40 x 40 cm
Acquire this artwork Available

Current total $363.00

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  • Unique original Only one available.
  • Certificate Authenticity document.
  • 14-day returns After delivery.
  • Free shipping Included worldwide.
  • Secure checkout Encrypted payment.
  • Unique original Only one available.
  • Certificate Authenticity document.
  • 14-day returns After delivery.

Artwork details

Analysis and context

Artwork Notes

Painting analysis

A single lotus opens against a dark green field, its white petals edged with soft pink. The flower fills the square canvas almost like a quiet portrait: close enough to feel present, but not so close that it loses its breathing space. Around it, the background sinks toward deep water and leaf shadow, making the bloom appear to carry its own small light.

What makes the painting persuasive is how little Yang Lixin needs to say with the brush. The petals are built from a few clean, economical strokes — white laid down simply, pink touched only where the edge needs warmth. The surrounding greens are also kept spare, broken just enough to suggest water, leaves, and dusk. Nothing feels overworked; the simplicity gives the lotus its calm authority.

The composition recalls Georgia O'Keeffe's ability to turn a single flower into a complete visual world, yet Yang's lotus remains cooler and more contemplative. Instead of desert heat, it holds the humidity and inwardness of a Chinese pond at dusk. Small in scale but concentrated in presence, it rewards close looking with a quiet glow that does not fade quickly. Oil on canvas, 40 × 40 cm.

Theme

Style and context

Lotus sits within Yang Lixin's lyrical realist practice, where a familiar Chinese flower subject is treated through oil paint with unusual restraint. The work does not depend on decorative fullness or botanical detail; its strength comes from a few decisive strokes, a dark ground, and the calm pressure of a single bloom held in the centre.

The painting's character is rooted in a Chinese sense of restraint. The petals are simplified, the colour changes are quiet, and the square format keeps everything gathered rather than expansive. Yang uses oil paint directly, but the result feels measured and inward: concise, controlled, and meditative without becoming empty.

Artist Profile

Artist introduction

Yang Lixin was born in 1944 in Anshan, Liaoning, and graduated from the Lu Xun Academy of Fine Arts in 1966. She is recorded as a member of the Liaoning branch of the China Artists Association and a member of the Shenzhen Artists Association. Her career began with solid northern academic training and later developed within South China's active art market and exhibition environment.

Her work is associated with lyrical realism. Yang is known for landscapes, Jiangnan water-town scenes, lotus ponds, and natural subjects, often bringing Western Impressionist sensitivity to colour into dialogue with the quiet observation of Chinese ink painting. Her brushwork is delicate but alive, and her colour tends toward warmth, layered atmosphere, and a restrained sense of life.

Within the southern Chinese art market, Yang's paintings have received strong institutional recognition. Works such as her Water Town series show how she turns familiar regional and natural subjects into calm, emotionally sustained compositions, where light, colour, and restraint carry the image more than overt narrative.

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