Silent Songhua River by Li Jiyong, 2011, with passenger and working boats moored in ice and narrow water channels leading towards the Harbin skyline

Silent Songhua River — full view by Li Jiyong, original oil on canvas, 80 x 120 cm

Master

Silent Songhua River

Name: Silent Songhua River
Brand: Paint For Heart
Price: 49780.0 SGD
Availability: InStock

Artist Li Jiyong

Creation Date 2011

Material Oil on canvas

Size 80 x 120 cm

Category original

Make this artwork part of your collection Available

Current total $49,780.00

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Perspectives

A closer look

Artwork Notes

Art appreciation

Boats cross the foreground on opposing diagonals and horizontals. The largest vessel enters from the right, while smaller craft are separated by snow and water at the lower left. A row of quays and larger boats spans the middle distance before the ice opens towards the city. Changes in scale, overlap and direction lead the eye through the moorings and across the river to Harbin.

Grey-blue, cold white and small passages of ochre govern the palette. Broad, level strokes spread across the snow, with thinner colour showing through in places so the frozen surface does not become inert. Dark blue-grey channels cut through the white and mark water that remains open. Cream cabins, brown-red hulls and black rails are handled more firmly, while the low-contrast skyline recedes into the sky.

Li's work has long centred on northeastern Chinese winters, industrial cities and life around the Songhua River. Familiarity with the way ice alters transport and labour explains the attention given to moorings and working vessels. No one is shown at work, yet the boats and quays make clear that ordinary activity has paused rather than disappeared. Season, infrastructure and city life meet in a closely observed winter view.

Theme

Style and context

Regional landscape painting in northeastern China often begins with direct observation of the particular relationship between snow, industry and urban rivers during the long winter. It retains the descriptive discipline of realist landscape while examining how climate shapes local life. In Silent Songhua River, distant Harbin is defined through the boats and ice channels that occupy the foreground.

Li studied in Harbin and at the Lu Xun Academy of Fine Arts and spent much of his career in art education in Heilongjiang. That background helps account for the clear spatial organisation of boats, quays and city, as well as the restrained colour. The view from the moorings lets natural conditions and built structures share the same scene: ice changes the pace of activity, while the working boats keep the landscape tied to daily life.

Artist Profile

About the artist

Li Jiyong (born 1941, Yingkou, Liaoning) is a Chinese oil painter and long-time art educator whose practice is rooted in northeastern China's winter landscapes, industrial cities, and frozen waterways. He graduated from Harbin Normal University in 1966, completed advanced oil painting study at the Lu Xun Academy of Fine Arts in 1980, and later joined a national art-theory research program at the Chinese Art Research Institute in 1992.

His career has been closely connected to art education in Heilongjiang Province. Li served as Director of Stage Art at the Heilongjiang Provincial Art School and was a visiting professor at the Art College of Harbin Normal University. He also held professional roles including council member of the Heilongjiang Provincial Artists Association and Secretary-General of the Heilongjiang Watercolor Painting Society.

Li's painting is known for restrained colour, northern winter light, and a patient attention to the lived atmosphere of the Songhua River basin. Rather than treating ice and snow as decorative subjects, he records them as conditions that shape daily rhythm, memory, and regional identity in China's far northeast.

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