Sound 3
Sound 3 Sound 3 Sound 3 Sound 3 Sound 3 Sound 3

Emerging

Sound 3

Artist Liu Xianglin
Creation Date 2017
Material Oil on canvas
Size 80 × 100 cm
Theme Abstract
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Current total $3,603.00

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  • Free shipping Included worldwide.
  • Secure checkout Encrypted payment.
  • Unique original Only one available.
  • Certificate Authenticity document.
  • 14-day returns After delivery.

Artwork details

Analysis and context

Artwork Notes

Painting analysis

Sound 3 is organized around a vertical field of black, where white linear forms rise with the clarity of a notation system. At the upper register, a small figure-like sign appears suspended above circular and serpentine forms, while the red splashes cut across the surface with a sharper physical presence. The composition suggests sound not as illustration, but as structure: rhythm held in line, pause, and interruption.

Liu Xianglin’s restraint is central to the work. The narrow palette of black, white, and red gives the painting an almost ritual concentration, allowing each mark to register with precision. The white brushwork moves between symmetry and looseness, building a vertical architecture of loops, crossings, and falling points; the red paint, by contrast, enters as an event, breaking the measured order without dissolving it.

Within contemporary Chinese abstraction, Sound 3 belongs to a language of signs, resonance, and controlled gesture. It carries the memory of calligraphic discipline without becoming calligraphy, and the suggestion of music without becoming notation. The result is a taut, vertical image in which sound seems to have been compressed into a visual emblem. Oil on canvas, 80 × 100 cm.

Theme

Style and context

Sound 3 occupies a precise position within Liu Xianglin’s Sound series, in which auditory experience is translated into abstract pictorial order. The work extends a Chinese tradition of disciplined linear gesture into a contemporary symbolic field: the black ground functions as spatial silence, while the white system of signs establishes rhythm, interval, and vertical tension.

Its closest art-historical parallel lies with Wassily Kandinsky’s pursuit of correspondences between sound, line, and color, though Liu’s method is notably more reduced. Where Kandinsky often expands into chromatic orchestration, Liu concentrates the painting into a limited palette and a totemic vertical structure, allowing the red interruptions to test the boundary between controlled execution and spontaneous force.

Artist Profile

Artist introduction

Liu Xianglin is a professional painter based in Shenzhen’s Dafen Oil Painting Village, working in oil painting and watercolor-gouache. His practice covers rural landscape, urban human scenes, still life, thematic contemporary painting, and abstract or semi-abstract composition. Across these subjects, he often works with rhythm, color, line, and pictorial tension, moving between observed life and symbolic structure.

Liu’s exhibition record begins in Shenzhen in 2007, including group activities connected with the Shenzhen Contemporary Art Creation Base and Guanshan Yue Art Museum. His oil painting Winter Hometown received first prize at the 2013 China Dream art exhibition, and later works were selected for exhibitions at Shenzhen Shiyan Exhibition Hall, Dafen Art Museum, the China International Cultural Industry Fair, and national watercolor-gouache shows. In 2025, his gouache Melody was published in Research and Creation in Watercolor and Gouache.

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