Shapes and Shadows
Shapes and Shadows Shapes and Shadows Shapes and Shadows Shapes and Shadows Shapes and Shadows Shapes and Shadows Shapes and Shadows

Emerging

Shapes and Shadows

Artist Lele Fioroni
Creation Date 2020
Material Oil on canvas
Size 60 x 60 cm
Theme Abstract
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Current total $6,529.00

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  • Free shipping Included worldwide.
  • Secure checkout Encrypted payment.
  • Unique original Only one available.
  • Certificate Authenticity document.
  • 14-day returns After delivery.

Artwork details

Analysis and context

Artwork Notes

Painting analysis

In Shapes and Shadows, Lele Fioroni organizes the square canvas as a compact architecture of colour. Red, blue, green, yellow-gold, black, and white are set into interlocking planes that press, interrupt, and counterbalance one another. The composition holds its energy through calibrated opposition: a red vertical mass at one side, a deep blue block near the centre, narrow black trajectories, and white intervals that prevent the surface from closing in.

The painting’s force lies in the way its geometry remains visibly handmade. Lines are not hard mechanical borders; they carry slight shifts of pressure, and the paint gathers at edges where one colour meets another. In the lower register, broken sign-like forms suggest characters after language has been dismantled into rhythm and structure. Fioroni turns writing into pictorial weight, allowing the eye to move between legible trace and abstract construction.

This balance between grid and gesture places the work in dialogue with modern geometric abstraction, particularly the disciplined colour relationships of Piet Mondrian, while its fragmented marks point toward a more personal engagement with Chinese calligraphic form. Rather than seeking pure order, Fioroni lets instability remain inside the structure: shadow within shape, sign within colour, movement within the square. Oil on canvas, 60 × 60 cm.

Theme

Style and context

Lele Fioroni works within contemporary geometric abstraction, but his geometry is not purely mechanical. It is shaped by a design-trained eye, by the square discipline of the canvas, and by a cross-cultural method that breaks written signs into colour, edge, and movement. This gives the work a warmer lineage than hard-edge abstraction alone, where structure remains visible but never sterile.

The closest comparison is Piet Mondrian, whose grids turned visual balance into a language of modern order. Fioroni shares that concern for structure, yet contrasts it with a rougher, more tactile surface and with fragments that echo Chinese calligraphic construction. In this sense the painting also sits near Carlos Cruz-Diez’s colour experiments, where perception changes as the eye moves through adjacent planes.

Artist Profile

Artist introduction

Emanuele Fioroni, known professionally as Lele Fioroni, was born in Milan in 1977. He studied computer science at the International University of Milan and later worked in web and 3D design, building a creative practice shaped by structure, interface, and visual communication. He first came to Shenzhen on business in 2009, settled there in 2014, and in 2018 committed fully to painting after years of working alongside design and music.

Fioroni is a cross-disciplinary artist, designer, vocalist, and guitarist, as well as the founder of Art View (Shenzhen) Art Co., Ltd. His work grows from the meeting point between Italian visual energy and the Chinese culture he has lived with in Shenzhen. Chinese characters, urban change, layered surfaces, and material contrast are central to his practice; he often breaks down strokes, blocks, and signs, then rebuilds them through colour, texture, and divided fields.

His materials have included acrylic, gold leaf, masking tape, keyboard parts, cables, and oil paint, depending on the project. This openness gives his work a distinctive position within Shenzhen's contemporary art scene: it carries the discipline of design, the rhythm of music, and the physical freedom of studio painting. Fioroni has presented solo exhibitions in Shenzhen, including Time Labyrinth in 2020 and The 'Art' of Chinese Characters in 2021, and has participated in local and international exchange exhibitions.

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